Name: Noël Carroll and Film: A Philosophy of Art and Popular Culture (en Inglés)
Price: 1344.56 MXN
Availability: InStock
Author: Slugan, Mario
ISBN: 9781350175013

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portada Noël Carroll and Film: A Philosophy of Art and Popular Culture (en Inglés)

Formato

Libro Físico

Autor

Mario Slugan

Editorial

Bloomsbury Publishing PLC

Idioma

Inglés

N° páginas

232

Encuadernación

Tapa Blanda

Dimensiones

21.6 x 14.0 x 1.2 cm

Peso

0.27 kg.

ISBN13

9781350175013

Categorías

Historia del cine
Cultura popular
Filosofía estética

Noël Carroll and Film: A Philosophy of Art and Popular Culture (en Inglés)

Mario Slugan (Autor) · Bloomsbury Publishing PLC · Tapa Blanda

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Origen: Estados Unidos (Costos de importación incluídos en el precio)

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Reseña del libro "Noël Carroll and Film: A Philosophy of Art and Popular Culture (en Inglés)"

Noël Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema.