Name: Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Hea
SKU: 50018949
Price: 2078.83 MXN
Availability: InStock
Author: Gerstel, Sharon E. J.
ISBN: 9782503566436

portada Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Hea

Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Hea

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Gerstel, Sharon E. J.

N° páginas

364

Encuadernación

Tapa Dura

Dimensiones

26.7x21.3x3 cm

Peso

1.25 kg.

ISBN13

9782503566436

Categorías

Estilo medieval
Historia del arte
Arquitectura

Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Hea

Gerstel, Sharon E. J. (Autor) · Brepols Publishers · Tapa Dura

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Reseña del libro "Viewing Greece: Cultural and Political Agency in the Medieval and Early Modern Mediterranean: Papers Stimulated by the Exhibition 'Hea"

Deriving from conferences, workshops, and lectures that took place in conjunction with Heaven and Earth: Art of Byzantium from Greek Collections, an exhibition held at the National Gallery of Art, J. Paul Getty Museum, and Art Institute of Chicago from 2013 to 2015, the thirteen papers in this volume focus on the art, architecture, and topography of medieval and early modern Greece. Multidisciplinary, geographically broad, and diachronic in scope, these papers consider the cultural and political agency of Greece as part of the late antique world, the Byzantine Empire, and the early modern Mediterranean. The Greek lands--spread across island and mainland--are seen as parts of broad trade and political networks, as points of religious dynamism, and as regions that are simultaneously central and peripheral. Cities and workshops, readings of monumental painting, approaches to sacred art, views of architecture and power, and printed images of the landscape are some of the main themes treated by the authors. The volume also includes reflections on the exhibition written by curators and critics.