Name: Thinking Images: The Essay Film as a Dialogic Form in European Cinema (en Inglés)
SKU: 9147872
Price: 1253.64 MXN
Availability: InStock
Author: Everett, Wendy ; Goodbody, Axel ; Montero, David
ISBN: 9783034307307

portada Thinking Images: The Essay Film as a Dialogic Form in European Cinema (en Inglés)

Thinking Images: The Essay Film as a Dialogic Form in European Cinema (en Inglés)

Formato

Libro Físico

Autor

David Montero

Ilustrado por

Wendy Everett

Axel Goodbody

Editorial

Peter Lang Ltd, International Academic Publis

Año

2012

Idioma

Inglés

N° páginas

191

Encuadernación

Tapa Blanda

ISBN

3034307306

ISBN13

9783034307307

Categorías

Historia del arte
Películas, cine
Estudios de comunicación

Thinking Images: The Essay Film as a Dialogic Form in European Cinema (en Inglés)

David Montero (Autor) · Wendy Everett (Ilustrado por) · Axel Goodbody (Ilustrado por) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

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Reseña del libro "Thinking Images: The Essay Film as a Dialogic Form in European Cinema (en Inglés)"

The essay film - 'a form that thinks' - serves to create a self-reflexive space for contemporary society by challenging expectations and demanding the creative involvement of the spectator. Using film to provoke thought has never been more important than now, when non-fiction films are gaining in popularity and playing a growing part in debates about culture and politics. This timely publication argues that the appeal of the essay film lies primarily in the dialogic engagement with the spectator and the richness of the intellectual and artistic debate it stimulates. The book focuses on the work of three key European film directors associated with the essay film: Chris Marker, Harun Farocki and José Luis Guerín. It provides a detailed analysis of several films by each director, exploring the relationship between dialogism and essayism in their work and placing this in the wider context of debates on the cinematic essay as a genre. Central aspects of essayistic filmmaking are explored, including its radical approach to knowledge, its distinctive patterns of subjectivity, its challenging of the formal representation of reality, and its contribution to new understandings of spectatorship. Written with clarity and perception, this volume offers new insights into the rise of the non-fiction film and the essay film, in particular.