Name: Theatre Studios: A Political History of Ensemble Theatre-Making (en Inglés)
SKU: 53464531
Price: 975.85 MXN
Availability: InStock
Author: Cornford, Tom
ISBN: 9781138185647

portada Theatre Studios: A Political History of Ensemble Theatre-Making (en Inglés)

Theatre Studios: A Political History of Ensemble Theatre-Making (en Inglés)

Formato

Libro Físico

Autor

Tom Cornford

Editorial

Routledge

Año

2020

Idioma

Inglés

N° páginas

342

Encuadernación

Tapa Blanda

Dimensiones

23.1x15.7x2.3 cm

Peso

1.29 kg.

ISBN13

9781138185647

N° edición

Categorías

Dirección y producción de teatro
Historia de las artes escénicas

Theatre Studios: A Political History of Ensemble Theatre-Making (en Inglés)

Tom Cornford (Autor) · Routledge · Tapa Blanda

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Reseña del libro "Theatre Studios: A Political History of Ensemble Theatre-Making (en Inglés)"

Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013-2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.