Name: The Unreality of UFORA / Nerealnost' UFORY: Notes on Contemporary Art (en Inglés)
SKU: 57192770
Price: 931.80 MXN
Availability: InStock
Author: Polivka, Dalibor ; Bourriaud, Nicolas ; Cramerotti, Alfredo
ISBN: 9781500473471

portada The Unreality of UFORA / Nerealnost' UFORY: Notes on Contemporary Art (en Inglés)

The Unreality of UFORA / Nerealnost' UFORY: Notes on Contemporary Art (en Inglés)

Formato

Libro Físico

Autor

Editorial

Idioma

Inglés

N° páginas

196

Encuadernación

Tapa Blanda

Dimensiones

25.4x20.3x1.3 cm

Peso

0.40 kg.

ISBN13

9781500473471

Categorías

Conceptualismo
Historia del arte

The Unreality of UFORA / Nerealnost' UFORY: Notes on Contemporary Art (en Inglés)

Nicolás Bourriaud (Autor) · Dalibor Polivka (Autor) · Alfredo Cramerotti (Autor) · Createspace · Tapa Blanda

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Reseña del libro "The Unreality of UFORA / Nerealnost' UFORY: Notes on Contemporary Art (en Inglés)"

Encouraged by the successes of their co-curated exhibitions Inexpressible (2009), After Hours/ Individual Stories (2010), and You First (2011), artists Dalibor Polívka and Rob Mintz (co-founders of UFORA, the Universal Festival of Relational Art) decided to create an art book depicting how "relational aesthetics" had rocked their world. In this handsomely designed volume, their essays compliment seminal texts by the influential French curator Nicolas Bourriaud (who coined the term "relational aesthetics") and Mostyn gallery director Alfredo Cramerotti. Nicolas Bourriaud's essay "Instable Connections" sets the record straight on the history of the term. Alfredo Cramerotti's piece, "Three Ways of Curating," presents new approaches to creative survival in an ever-shifting, curatorial culture. Delving into "exhibition as medium" and "institutional critique," The Unreality of UFORA presents the work of a cadre of contemporary artists participating in an experimental exhibition. Full of incisive quotations from a variety of experts about the impact of "relational aesthetics," its controversial acceptance, and its place in art history, The Unreality of UFORA should be on the radar of artists, collectors, curators, and art students seeking a high-octane jolt of insight into the relational turn.