Name: The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés)
Price: 2237.00 MXN
Availability: InStock
Author: Deborah Howard; Laura Mauretti
ISBN: 9780197265055

portada The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés)

The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés)

Formato

Libro Físico

Editorial

Oxford Univ Pr

Autor

Deborah Howard; Laura Mauretti

Año

2012

Idioma

Inglés

N° páginas

300

Encuadernación

Tapa Dura

ISBN

0197265057

ISBN13

9780197265055

N° edición

Categorías

Historia del arte
Historia de la arquitectura

The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés)

Deborah Howard; Laura Mauretti (Autor) · Oxford Univ Pr · Tapa Dura

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Reseña del libro "The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés)"

This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.

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The Music Room in Early Modern France and Italy: Sound, Space and Object (Proceedings of the British Academy) (en Inglés) - Deborah Howard; Laura Mauretti

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