Name: The Ecstatic Quotidian: Phenomenological Sightings in Modern art and Literature (Literature and Philosophy) (en Inglés)
SKU: 3880964
Price: 935.23 MXN
Availability: InStock
Author: Jennifer Anna Gosetti-Ferencei
ISBN: 9780271032283

portada The Ecstatic Quotidian: Phenomenological Sightings in Modern art and Literature (Literature and Philosophy) (en Inglés)

The Ecstatic Quotidian: Phenomenological Sightings in Modern art and Literature (Literature and Philosophy) (en Inglés)

Formato

Libro Físico

Editorial

The Pennsylvania State University Press

Autor

Jennifer Anna Gosetti-Ferencei

Año

2007

Idioma

Inglés

N° páginas

280

Encuadernación

Tapa Blanda

ISBN

0271032286

ISBN13

9780271032283

N° edición

Categorías

Artes: aspectos generales

The Ecstatic Quotidian: Phenomenological Sightings in Modern art and Literature (Literature and Philosophy) (en Inglés)

Jennifer Anna Gosetti-Ferencei (Autor) · The Pennsylvania State University Press · Tapa Blanda

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Reseña del libro "The Ecstatic Quotidian: Phenomenological Sightings in Modern art and Literature (Literature and Philosophy) (en Inglés)"

Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, Cézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.