Name: The art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts (en Inglés)
SKU: 64311938
Price: 2590.32 MXN
Availability: InStock
Author: Simone Parisotto; Patricia Vitoria; Coloma Ballester; Aurélie Bugeau; Suzanne Reynolds; Carola-Bibiane Schönlieb
ISBN: 9781009585941

portada The art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts (en Inglés)

The art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts (en Inglés)

Formato

Libro Físico

Editorial

Cambridge University Press

Autor

Simone Parisotto; Patricia Vitoria; Coloma Ballester; Aurélie Bugeau; Suzanne Reynolds; Carola-Bibiane Schönlieb

Idioma

Inglés

Encuadernación

Tapa Dura

ISBN13

9781009585941

The art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts (en Inglés)

Simone Parisotto; Patricia Vitoria; Coloma Ballester; Aurélie Bugeau; Suzanne Reynolds; Carola-Bibiane Schönlieb (Autor) · Cambridge University Press · Tapa Dura

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Reseña del libro "The art of Inpainting: Mathematical Methods for the Virtual Restoration of Illuminated Manuscripts (en Inglés)"

The art of image restoration and completion has entered a new phase thanks to digital technology. Indeed, virtual restoration is sometimes the only feasible option available to us, and it has, under the name 'inpainting', grown, from methods developed in the mathematics and computer vision communities, to the creation of tools used routinely by conservators and historians working in the worlds of fine art and cinema. The aim of this book is to provide, for a broad audience, a thorough description of imaging inpainting techniques. The book has a two-layer structure. In one layer, there is a general and more conceptual description of inpainting; in the other, there are boxed descriptions of the essentials of the mathematical and computational details. The idea is that readers can easily skip those boxes without disrupting the narrative. Examples of how the tools can be used are drawn from the Fitzwilliam Museum, Cambridge collections.