Name: Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium Bce (en Inglés)
SKU: 3149416
Price: 1760.24 MXN
Availability: InStock
Author: Gilibert, Alessandra
ISBN: 9783110222258

portada Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium Bce (en Inglés)

Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium Bce (en Inglés)

Formato

Libro Físico

Autor

Alessandra Gilibert

Editorial

de Gruyter

Idioma

Inglés

N° páginas

236

Encuadernación

Tapa Dura

Dimensiones

33.5x21.3x1.8 cm

Peso

1.07 kg.

ISBN

9783110222258

ISBN13

9783110222258

Categorías

Oriente próximo
Mundo antiguo
Escultura
Instalaciones artísticas
Historia antigua
Historia de oriente próximo

Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium Bce (en Inglés)

Alessandra Gilibert (Autor) · de Gruyter · Tapa Dura

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Reseña del libro "Syro-Hittite Monumental Art and the Archaeology of Performance: The Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium Bce (en Inglés)"

The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition that has captivated the imagination of its contemporaries as well as that of modern scholars. This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and it opens up a new perspective by situating the monumental heritage in the context of large public performances and civic spectacles of great emotional impact. The first part of the volume focuses on the sites of Carchemish and Zincirli, offering a close reading of the relevant archaeological contexts. The second part of the volume discusses the embedment of monumental art in ritual performance and examines how change in art relates to change in ceremonial behavior, and how the latter relates in turn to change in power structures and models of rulership.