Name: Summer Cruise in the Mediterranean on board an American frigate: A Nineteenth-Century Naval Travelogue of Mediterranean Ports, Ruins, and Society (en Inglés)
SKU: 67453550
Price: 420.51 MXN
Availability: InStock
ISBN: 9788028341572

portada Summer Cruise in the Mediterranean on board an American frigate: A Nineteenth-Century Naval Travelogue of Mediterranean Ports, Ruins, and Society (en Inglés)

Summer Cruise in the Mediterranean on board an American frigate: A Nineteenth-Century Naval Travelogue of Mediterranean Ports, Ruins, and Society (en Inglés)

Formato

Libro Físico

Editorial

Sharp Ink

Idioma

Inglés

Encuadernación

Tapa Blanda

Dimensiones

22.9x15.2x0.9 cm

ISBN13

9788028341572

Summer Cruise in the Mediterranean on board an American frigate: A Nineteenth-Century Naval Travelogue of Mediterranean Ports, Ruins, and Society (en Inglés)

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Summer Cruise in the Mediterranean on board an American frigate presents the Mediterranean as both a theatre of travel and a stage for American self-definition. Moving between shipboard routine and encounters with storied coasts, cities, and ruins, the book joins naval observation to the cultivated travel sketch. Its prose is polished, pictorial, and socially alert, characteristic of antebellum American literary journalism, and it belongs to a period when U.S. readers were eager for accounts that placed their young republic in conversation with Europe's classical and imperial past. Nathaniel Parker Willis was among the most visible American men of letters of the nineteenth century: poet, editor, essayist, and cosmopolitan correspondent. His career in periodicals trained him to turn travel into vivid, marketable scenes, while his familiarity with elite society at home and abroad sharpened his attention to manners, spectacle, and reputation. This book reflects both his literary ambitions and the expanding horizons of American cultural curiosity. Recommended to readers interested in maritime travel writing, early American cosmopolitanism, and the literary culture of the 1830s and 1840s, the volume offers more than picturesque tourism. It is a revealing record of how an American observer translated the Mediterranean into style, sentiment, and national imagination.

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