Name: Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure (en Inglés)
SKU: 56376061
Price: 496.22 MXN
Availability: InStock
Author: Schock, Michael Welles
ISBN: 9780988848733

portada Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure (en Inglés)

Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure (en Inglés)

Formato

Libro Físico

Autor

Michael Welles Schock

Editorial

Scriptmonk Industries

Idioma

Inglés

N° páginas

186

Encuadernación

Tapa Blanda

Dimensiones

22.9x15.2x1 cm

Peso

0.25 kg.

ISBN13

9780988848733

Categorías

Dirección y producción de teatro
Guiones y guionistas de cine
Técnicas de escritura de guiones

Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure (en Inglés)

Michael Welles Schock (Autor) · Scriptmonk Industries · Tapa Blanda

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Reseña del libro "Screenwriting and The Unified Theory of Narrative: Part I - The Unified Narrative Structure (en Inglés)"

Screenwriting and The Unified Theory of Narrative, Part I provides an advanced investigation of narrative structure for readers who wish to understand cinematic storytelling not in terms of its bits and pieces, but as a comprehensive whole. A great story is not a collection of parts, but a process by which many elements interact to create a single meaningful experience. By seeking the principles of these interactions, this book unites the formerly separate structures of plot, character, and theme to reveal for the first time the single overarching structure by which every successful traditionally-told Hollywood or American Independent film abides, regardless of genre, premise, style, or tone.The unified narrative structure is not a formula. It simply reveals the natural method by which great cinematic stories always have and always will unite their many elements into a cohesive line of action that communicates as well as entertains. Whether it be celebratory story like Star Wars, a cautionary tale like Raging Bull, a tragic narrative like Chinatown, or a cynical film like The Godfather, the interactions between plot, character, and theme remain exactly the same. With its approach, The Unified Narrative Structure comes as close as currently possible to a truly universal model of cinematic storytelling; one that takes into account all three dimensions of narrative and stands applicable to virtually any traditional feature-length film.