Name: Rubens and the Archaeology of Myth, 1610 1620: Visual and Poetic Memory (en Inglés)
Price: 819.13 MXN
Availability: InStock
Author: Georgievska-Shine, Aneta
ISBN: 9781138265981

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portada Rubens and the Archaeology of Myth, 1610 1620: Visual and Poetic Memory (en Inglés)

Formato

Libro Físico

Autor

Aneta Georgievska-Shine

Editorial

Routledge

Año

2017

Idioma

Inglés

N° páginas

242

Encuadernación

Tapa Blanda

ISBN13

9781138265981

N° edición

Categorías

Aspectos generales del arte
Historia del arte
Europa
Barroco
Rococó

Rubens and the Archaeology of Myth, 1610 1620: Visual and Poetic Memory (en Inglés)

Aneta Georgievska-Shine (Autor) · Routledge · Tapa Blanda

Libro Físico

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$ 1,638.26

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Origen: Reino Unido (Costos de importación incluídos en el precio)

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Reseña del libro "Rubens and the Archaeology of Myth, 1610 1620: Visual and Poetic Memory (en Inglés)"

Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound, The Rape of the Daughters of Leucippus, Juno and Argus, and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language, and can serve as methodological templates for looking at, and reading of, many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole, these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore, the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself, these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings, the author illuminates the manner in which the rhetorical and poetic conventions of the period, as well as the growing appreciation for the various allegorical layers of fables, lead to a better understanding of Rubens's pictorial archaeology of classical myths.