Name: Rogier Van Der Weyden and Stone Sculpture in Brussels (en Inglés)
SKU: 56695111
Price: 3002.43 MXN
Availability: InStock
Author: Fransen, Bart
ISBN: 9781909400153

portada Rogier Van Der Weyden and Stone Sculpture in Brussels (en Inglés)

Rogier Van Der Weyden and Stone Sculpture in Brussels (en Inglés)

Formato

Libro Físico

Autor

Bart Fransen

Editorial

Harvey Miller

Idioma

Inglés

N° páginas

237

Encuadernación

Tapa Dura

Dimensiones

28.4x22.9x2.3 cm

Peso

1.34 kg.

ISBN13

9781909400153

Categorías

Europa
Estilo medieval
Escultura
Instalaciones artísticas
Historia del arte
Historia de europa: edad media

Rogier Van Der Weyden and Stone Sculpture in Brussels (en Inglés)

Bart Fransen (Autor) · Harvey Miller · Tapa Dura

Libro Nuevo Importado

Envío: 22 a 27 días háb.

$ 5,004.04$ 3,002.43

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 5 unidades

$ 3,002.43

¡Envío Gratis! Llega entre el 08 Oct y el 16 Oct a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Rogier Van Der Weyden and Stone Sculpture in Brussels (en Inglés)"

The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels's famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor's workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum's reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden's direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century.