Name: Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean (en Inglés)
SKU: 60308078
Price: 3270.09 MXN
Availability: InStock
Author: Kozlowski, S.
ISBN: 9782503596952

portada Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean (en Inglés)

Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean (en Inglés)

Formato

Libro Físico

Autor

S. Kozlowski

Editorial

Brepols Publishers

Idioma

Inglés

Encuadernación

Tapa Dura

Peso

15.42 kg.

ISBN13

9782503596952

Categorías

Europa
Estilo medieval
Renacimiento
Historia del arte

Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean (en Inglés)

S. Kozlowski (Autor) · Brepols Publishers · Tapa Dura

Libro Nuevo Importado

Envío: 22 a 27 días háb.

$ 5,450.15$ 3,270.09

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 2 unidades

$ 3,270.09

¡Envío Gratis! Llega entre el 09 Oct y el 19 Oct a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean (en Inglés)"

This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on the move through the fourteenth-century world. It asks how panel paintings participated in and thematized patterns of circulation and exchange; how they extended the artistic and political geography of the court far beyond Naples itself; how their materialities intersected with other mediums from woven silk to precious metalwork to stone; and how painters' formal and technical experimentation combined with painted panels' real and imagined itineraries to create meaning. The volume traces a series of painted panels through networks of patronage, production, gift giving, transport, and replication. It locates the making, movement, and meaning of these works in the overlapping contexts of Angevin dynastic and territorial ambitions, including the family's stakes in the Holy Land; patterns of collecting and adapting authoritative icons; practices of royal female patronage; and painters' engagement with the limits of the medium of panel painting itself. Each chapter weaves together sustained analysis of paintings' pictorial and material structures, close reading of primary sources, and questions of art's materialities and mobilities. Moving between single objects and larger patterns, between the local and the global, this study presents new research on individual works even as it reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world.