Name: Pop Empires: Transnational and Diasporic Flows of India and Korea (en Inglés)
SKU: 56210011
Price: 1410.06 MXN
Availability: InStock
Author: Lee, S. Heijin ; Mehta, Monika ; Ku, Robert Ji-Song
ISBN: 9780824878016

portada Pop Empires: Transnational and Diasporic Flows of India and Korea (en Inglés)

Pop Empires: Transnational and Diasporic Flows of India and Korea (en Inglés)

Formato

Libro Físico

Editorial

University of Hawaii Press

Autor

Lee, S. Heijin ; Mehta, Monika ; Ku, Robert Ji-Song

Idioma

Inglés

N° páginas

360

Encuadernación

Tapa Dura

Dimensiones

23.1x15.5x3.3 cm

Peso

0.61 kg.

ISBN13

9780824878016

Categorías

Televisión
Historia de las artes escénicas
Cultura popular
Migración, inmigración y emigración

Pop Empires: Transnational and Diasporic Flows of India and Korea (en Inglés)

Lee, S. Heijin ; Mehta, Monika ; Ku, Robert Ji-Song (Autor) · University of Hawaii Press · Tapa Dura

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Reseña del libro "Pop Empires: Transnational and Diasporic Flows of India and Korea (en Inglés)"

At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. "Bollywood" and "Hallyu" are increasingly competing with "Hollywood"--either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.