Name: Playing to the World's Biggest Audience: The Globalization of Chinese Film and tv (en Inglés)
SKU: 1913151
Price: 593.91 MXN
Availability: InStock
Author: Michael Curtin
ISBN: 9780520251342

portada Playing to the World's Biggest Audience: The Globalization of Chinese Film and tv (en Inglés)

Playing to the World's Biggest Audience: The Globalization of Chinese Film and tv (en Inglés)

Formato

Libro Físico

Editorial

University Of California Press

Autor

Michael Curtin

Año

2007

Idioma

Inglés

N° páginas

324

Encuadernación

Tapa Blanda

Peso

ISBN

0520251342

ISBN13

9780520251342

N° edición

Categorías

China
Historia de asia

Playing to the World's Biggest Audience: The Globalization of Chinese Film and tv (en Inglés)

Michael Curtin (Autor) · University Of California Press · Tapa Blanda

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Reseña del libro "Playing to the World's Biggest Audience: The Globalization of Chinese Film and tv (en Inglés)"

In this provocative analysis of screen industries in China, Hong Kong, Taiwan, and Singapore, Michael Curtin delineates the globalizing pressures and opportunities that since the 1980s have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, the escalation of democracy movements, and the emergence of an East Asian youth culture. Reaching beyond national frameworks, Curtin examines the prospect of a global Chinese audience that will include more viewers than in the United States and Europe combined. He draws on in-depth interviews with a diverse array of media executives plus a wealth of historical material to argue that this vast and increasingly wealthy market is likely to shake the very foundations of Hollywood’s century-long hegemony.Playing to the World’s Biggest Audience profiles the leading Chinese commercial studios and telecasters, and delves into the operations of Western conglomerates extending their reach into Asia. Advancing a dynamic and integrative theory of media capital, this innovative book explains the histories and strategies of screen enterprises that aim to become central players in the Global China market and offers an alternative perspective to recent debates about cultural globalization.