Name: Narrative Innovation and Cultural Rewriting in the Cold War Era and After (en Inglés)
SKU: 59198897
Price: 1116.58 MXN
Availability: InStock
Author: Cornis-Pope, M.
ISBN: 9781349631827

portada Narrative Innovation and Cultural Rewriting in the Cold War Era and After (en Inglés)

Narrative Innovation and Cultural Rewriting in the Cold War Era and After (en Inglés)

Formato

Libro Físico

Autor

M. Cornis-Pope

Editorial

Palgrave MacMillan

Idioma

Inglés

N° páginas

318

Encuadernación

Tapa Blanda

Dimensiones

23.4x15.6x1.8 cm

Peso

0.47 kg.

ISBN13

9781349631827

Categorías

Enciclopedias y obras de consulta
Ciencia: cuestiones generales
Papelería, artículos de escritorio

Narrative Innovation and Cultural Rewriting in the Cold War Era and After (en Inglés)

M. Cornis-Pope (Autor) · Palgrave MacMillan · Tapa Blanda

Libro Nuevo Importado

Envío: 13 a 18 días háb.

$ 1,860.97$ 1,116.58

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 1,116.58

¡Envío Gratis! Llega entre el 02 Oct y el 12 Oct a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Narrative Innovation and Cultural Rewriting in the Cold War Era and After (en Inglés)"

Narrative Innovation and Cultural Rewriting undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological division (real vs. imaginary, wordly and other-worldly), sociocultural oppositions (of race, class, gender) and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.