Name: Meaning in Film: Relevant Structures in Soundtrack and Narrative (en Inglés)
SKU: 58343492
Price: 1410.84 MXN
Availability: InStock
Author: Coremans, Linda ; Nasta, Dominique
ISBN: 9783261044822

portada Meaning in Film: Relevant Structures in Soundtrack and Narrative (en Inglés)

Meaning in Film: Relevant Structures in Soundtrack and Narrative (en Inglés)

Formato

Libro Físico

Autor

Dominique Nasta

Otro

Linda Coremans

Editorial

Peter Lang Group Ag, International Academic P

Idioma

Inglés

N° páginas

182

Encuadernación

Tapa Blanda

Dimensiones

21x14.8x1 cm

Peso

0.23 kg.

ISBN13

9783261044822

Categorías

Artes: técnicas y principios artísticos
Historia, teoría y crítica cinematográfica
Obras de teatro, textos teatrales

Meaning in Film: Relevant Structures in Soundtrack and Narrative (en Inglés)

Dominique Nasta (Autor) · Linda Coremans (Otro) · Peter Lang Group Ag, International Academic P · Tapa Blanda

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Reseña del libro "Meaning in Film: Relevant Structures in Soundtrack and Narrative (en Inglés)"

Understanding how meaning mechanisms are unleashed in film has been at the center of numerous theoretical surveys of the last few years. Emphasis has especially fallen on seeing as a constructive, meaningful activity and on the diegetic implications of vision.This book is an attempt to extend film theorizing into a new realm, where hearing proves as important as seeing and where the relevance of filmic narrative is differently explored. New paths for future research are suggested by means of associations with the works of linguists or philosophers who have never addressed film theory directly in their writings. Nonetheless, several concepts posited by them (relevance, natural versus non-natural meaning or the notion of Mental spaces) find their application in the present survey.A wide range of examples starting with point-of-view and editing occurrences, passing through the use of music and sound and culminating with the study of whole filmic ensembles, enables the reader to re-examine code-bound or, on the contrary, deviational structures. These are often drawn from familiar sources, proving that not only art films of the Eisenstein or Godard type enhance innovative meaning spaces.Finally, the viewer is seen as a pragmatic protagonist, an active not passive receiver of textual structures who relies on patterns of known visual or aural backgrounds open to an unlimited field of perspectives.