Name: Making Waves: Crosscurrents in the Study of Nineteenth-Century Art (en Inglés)
SKU: 53353684
Price: 2791.43 MXN
Availability: InStock
Author: Dixon, Laurinda ; Weisberg, Gabriel P.
ISBN: 9782503584409

portada Making Waves: Crosscurrents in the Study of Nineteenth-Century Art (en Inglés)

Making Waves: Crosscurrents in the Study of Nineteenth-Century Art (en Inglés)

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Dixon, Laurinda ; Weisberg, Gabriel P.

Año

2020

Idioma

Inglés

N° páginas

277

Encuadernación

Tapa Dura

Dimensiones

28.4x22.4x2.3 cm

Peso

1.54 kg.

ISBN13

9782503584409

N° edición

Categorías

Modernismo
Romanticismo
Historia del arte

Making Waves: Crosscurrents in the Study of Nineteenth-Century Art (en Inglés)

Dixon, Laurinda ; Weisberg, Gabriel P. (Autor) · Brepols Publishers · Tapa Dura

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Reseña del libro "Making Waves: Crosscurrents in the Study of Nineteenth-Century Art (en Inglés)"

Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu's example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety.