Name: Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability (Eastman (en Inglés)
SKU: 54667449
Price: 2433.42 MXN
Availability: InStock
Author: Lawrence, Sidra ; Kisliuk, Michelle ; McMullen, Tracy
ISBN: 9781648250637

portada Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability (Eastman (en Inglés)

Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability (Eastman (en Inglés)

Formato

Libro Físico

Contribuciones de

Tracy McMullen

Ilustrado por

Sidra Lawrence

Michelle Kisliuk

Editorial

University of Rochester Press

Autor

Lawrence, Sidra ; Kisliuk, Michelle ; McMullen, Tracy

Idioma

Inglés

N° páginas

268

Encuadernación

Tapa Dura

Dimensiones

22.9x15.2x1.6 cm

Peso

0.53 kg.

ISBN13

9781648250637

Categorías

Teoría de la música y musicología
Estudios de género, grupos de género
Política y gobierno
Colonialismo e imperialismo

Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability (Eastman (en Inglés)

Tracy McMullen (Contribuciones de) · Sidra Lawrence (Ilustrado por) · Michelle Kisliuk (Ilustrado por) · University of Rochester Press · Tapa Dura

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Reseña del libro "Intimate Entanglements in the Ethnography of Performance: Race, Gender, Vulnerability (Eastman (en Inglés)"

Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance ethnography and in institutional and disciplinary settings. Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.