Name: Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens (Palgrave Studies in the History of Subcultures and Popular Music) [Soft Cover ] (en Inglés)
SKU: 54999136
Price: 1524.52 MXN
Availability: InStock
Author: Gildart, Keith ; Gough-Yates, Anna ; Lincoln, Sian
ISBN: 9783030284770

portada Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens (Palgrave Studies in the History of Subcultures and Popular Music) [Soft Cover ] (en Inglés)

Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens (Palgrave Studies in the History of Subcultures and Popular Music) [Soft Cover ] (en Inglés)

Formato

Libro Físico

Ilustrado por

Editorial

Autor

Gildart, Keith ; Gough-Yates, Anna ; Lincoln, Sian

Idioma

Inglés

N° páginas

278

Encuadernación

Tapa Blanda

Dimensiones

21x14.8x1.7 cm

Peso

0.39 kg.

ISBN13

9783030284770

Categorías

Reino unido
Antropología social y cultural, etnografía
Historia de europa
Historia social y cultural

Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens (Palgrave Studies in the History of Subcultures and Popular Music) [Soft Cover ] (en Inglés)

Sian Lincoln (Ilustrado por) · Keith Gildart (Ilustrado por) · Anna Gough-Yates (Ilustrado por) · Palgrave MacMillan · Tapa Blanda

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Reseña del libro "Hebdige and Subculture in the Twenty-First Century: Through the Subcultural Lens (Palgrave Studies in the History of Subcultures and Popular Music) [Soft Cover ] (en Inglés)"

This book assesses the legacy of Dick Hebdige and his work on subcultures in his seminal work, Subculture: The Meaning of Style (1979). The volume interrogates the concept of subculture put forward by Hebdige, and asks if this concept is still capable of helping us understand the subcultures of the twenty-first century. The contributors to this volume assess the main theoretical trends behind Hebdige's work, critically engaging with their value and how they orient a researcher or student of subculture, and also look at some absences in Hebdige's original account of subculture, such as gender and ethnicity. The book concludes with an interview with Hebdige himself, where he deals with questions about his concept of subculture and the gestation of his original work in a way that shows his seriousness and humour in equal measure. This volume is a vital contribution to the debate on subculture from some of the best researchers and academics working in the field in the twenty-first century.