Name: Girls and Philosophy: This Book Isn'T a Metaphor for Anything (Popular Culture and Philosophy, 86) (en Inglés)
SKU: 54277379
Price: 420.28 MXN
Availability: InStock
Author: Greene, Richard ; Robison-Greene, Rachel
ISBN: 9780812698596

portada Girls and Philosophy: This Book Isn'T a Metaphor for Anything (Popular Culture and Philosophy, 86) (en Inglés)

Girls and Philosophy: This Book Isn'T a Metaphor for Anything (Popular Culture and Philosophy, 86) (en Inglés)

Formato

Libro Físico

Ilustrado por

Richard Greene

Rachel Robison-Greene

Editorial

Open Court

Autor

Greene, Richard ; Robison-Greene, Rachel

Idioma

Inglés

N° páginas

288

Encuadernación

Tapa Blanda

Dimensiones

22.6x15x2 cm

Peso

0.41 kg.

ISBN13

9780812698596

Categorías

Televisión
Filosofía

Girls and Philosophy: This Book Isn'T a Metaphor for Anything (Popular Culture and Philosophy, 86) (en Inglés)

Richard Greene (Ilustrado por) · Rachel Robison-Greene (Ilustrado por) · Open Court · Tapa Blanda

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Reseña del libro "Girls and Philosophy: This Book Isn'T a Metaphor for Anything (Popular Culture and Philosophy, 86) (en Inglés)"

The drama-comedy Girls -- often unfairly written off as Sex and the City for the millennial generation -- has made TV history and provoked controversy for its pitilessly accurate portrayal of four oddly sympathetic twentysomething female characters, notable for their self-absorption, empathy deficits, and ineptitude with relationships. Among other breakthroughs, it is the first show to depict the sex act among the alienated young as nearly always awkward and unfulfilling. In Girls and Philosophy, a team of diverse, sensitive, empathic philosophers approach the world of Girls from a variety of angles and philosophical points of view. The writers attack many fascinating issues arising from Girls, including the meaning of authenticity in the 21st century, coming of age in a society with no clear guidelines, Girls as the only TV show the pop-culture-hating professor Theodor Adorno might have admired, feminist appraisals of these not-very-feminist characters, how each deals with the anxiety that comes from inescapable freedom, whether we need to amend the traditional list of seven deadly sins in the context of present-day New York, and, of course, why we once again find it natural to think of women in their early- to mid-twenties as "girls."