Name: Gardens of Love and the Limits of Morality in Early Netherlandish Art (en Inglés)
SKU: 57301677
Price: 3815.10 MXN
Availability: InStock
Author: Pearson, Andrea
ISBN: 9789004392953

portada Gardens of Love and the Limits of Morality in Early Netherlandish Art (en Inglés)

Gardens of Love and the Limits of Morality in Early Netherlandish Art (en Inglés)

Formato

Libro Físico

Autor

Andrea Pearson

Editorial

Brill

Idioma

Inglés

N° páginas

380

Encuadernación

Tapa Dura

Dimensiones

24.1x16.3x2.3 cm

Peso

0.84 kg.

ISBN13

9789004392953

Categorías

Europa
Historia del arte
Historia de europa: renacimiento

Gardens of Love and the Limits of Morality in Early Netherlandish Art (en Inglés)

Andrea Pearson (Autor) · Brill · Tapa Dura

Libro Nuevo Importado

Envío: 13 a 18 días háb.

$ 7,630.19$ 3,815.10

-50%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 98 unidades

$ 3,815.10

¡Envío Gratis! Llega entre el 11 Nov y el 20 Nov a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Gardens of Love and the Limits of Morality in Early Netherlandish Art (en Inglés)"

In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.