Name: Everyone’S Theater: Literature and Daily Life in England, 1860–1914 (en Inglés)
SKU: 52092378
Price: 2043.40 MXN
Availability: InStock
Author: Michael Meeuwis
ISBN: 9780472131471

portada Everyone’S Theater: Literature and Daily Life in England, 1860–1914 (en Inglés)

Everyone’S Theater: Literature and Daily Life in England, 1860–1914 (en Inglés)

Formato

Libro Físico

Editorial

University Of Michigan Press

Autor

Michael Meeuwis

Año

2019

Idioma

Inglés

N° páginas

226

Encuadernación

Tapa Dura

ISBN13

9780472131471

Everyone’S Theater: Literature and Daily Life in England, 1860–1914 (en Inglés)

Michael Meeuwis (Autor) · University Of Michigan Press · Tapa Dura

Libro Nuevo Importado

Envío: 22 a 27 días háb.

$ 3,405.66$ 2,043.40

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 50 unidades

$ 2,043.40

¡Envío Gratis! Llega entre el 08 Oct y el 16 Oct a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Everyone’S Theater: Literature and Daily Life in England, 1860–1914 (en Inglés)"

Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.