Name: Evaluations of Us Poetry Since 1950, Volume 1: Language, Form, and Music (en Inglés)
SKU: 56367994
Price: 1181.34 MXN
Availability: InStock
Author: Von Hallberg, Robert ; Faggen, Robert
ISBN: 9780826363138

portada Evaluations of Us Poetry Since 1950, Volume 1: Language, Form, and Music (en Inglés)

Evaluations of Us Poetry Since 1950, Volume 1: Language, Form, and Music (en Inglés)

Formato

Libro Físico

Editorial

University of New Mexico Press

Autor

Von Hallberg, Robert ; Faggen, Robert

Idioma

Inglés

N° páginas

312

Encuadernación

Tapa Blanda

Dimensiones

22.9x15.2x2 cm

Peso

0.51 kg.

ISBN13

9780826363138

Categorías

Estados unidos de américa
Estudios literarios: c. 1900-c. 2000
Estudios literarios: poesía y poetas

Evaluations of Us Poetry Since 1950, Volume 1: Language, Form, and Music (en Inglés)

Von Hallberg, Robert ; Faggen, Robert (Autor) · University of New Mexico Press · Tapa Blanda

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Reseña del libro "Evaluations of Us Poetry Since 1950, Volume 1: Language, Form, and Music (en Inglés)"

Over the last sixty years scholars and critics have focused on literary history and interpretation rather than literary value. When value is addressed, the standards are usually political and identitarian. The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond. Von Hallberg and Faggen have curated a diverse selection of authors to explore this topic. Volume 1 focuses on voice, language, form, and musicality. Stephen Yenser writes about Elizabeth Bishop, Stephanie Burt about C. D. Wright, Nigel Smith about Paul Simon, and Marjorie Perloff about Charles Bernstein, among others. The essays do not provide an exhaustive survey of recent poetry. Instead, Evaluations of US Poetry since 1950 presents readers with more than thirty different models of literary absorption and advocacy. This is done in explicit hope of reorienting the criticism of poetry.