Name: Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (en Inglés)
SKU: 18763840
Price: 630.34 MXN
Availability: InStock
Author: Keil, Charlie
ISBN: 9780299173647

portada Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (en Inglés)

Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (en Inglés)

Formato

Libro Físico

Autor

Charlie Keil

Editorial

University of Wisconsin Press

Año

2001

Idioma

Inglés

N° páginas

306

Encuadernación

Tapa Blanda

Dimensiones

22.9x15.5x1.8 cm

Peso

0.44 kg.

ISBN

029917364x

ISBN13

9780299173647

N° edición

Categorías

Historia, teoría y crítica cinematográfica

Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (en Inglés)

Charlie Keil (Autor) · University of Wisconsin Press · Tapa Blanda

Libro Nuevo Importado

Envío: 18 a 23 días háb.

$ 1,400.77$ 630.34

-55%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan más de 100 unidades

$ 630.34

¡Envío Gratis! Llega entre el 25 Nov y el 03 Dic a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (en Inglés)"

The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.