Name: Don't Call me Princess: Essays on Girls, Women, Sex, and Life (en Inglés)
SKU: 49719658
Price: 515.47 MXN
Availability: InStock
Author: Orenstein, Peggy
ISBN: 9780062834058

portada Don't Call me Princess: Essays on Girls, Women, Sex, and Life (en Inglés)

Don't Call me Princess: Essays on Girls, Women, Sex, and Life (en Inglés)

Formato

Libro Físico

Autor

Peggy Orenstein

Editorial

Harper Paperbacks

Año

2018

Idioma

Inglés

N° páginas

400

Encuadernación

Tapa Dura

Dimensiones

22.9x16x3.3 cm

Peso

0.50 kg.

ISBN13

9780062834058

Categorías

Ensayos literarios
Feminismo y teoría feminista

Don't Call me Princess: Essays on Girls, Women, Sex, and Life (en Inglés)

Peggy Orenstein (Autor) · Harper Paperbacks · Tapa Dura

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Reseña del libro "Don't Call me Princess: Essays on Girls, Women, Sex, and Life (en Inglés)"

The New York Times bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays--funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Named one of the "40 women who changed the media business in the last 40 years" by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls' sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics.In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless--they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate. Don't Call Me Princess offers a crucial evaluation of where we stand today as women--in our work lives, sex lives, as mothers, as partners--illuminating both how far we've come and how far we still have to go.