Name: Cinema at the Shore: The Beach in French Film (en Inglés)
SKU: 49450137
Price: 1187.93 MXN
Availability: InStock
Author: Everett, Wendy ; Goodbody, Axel ; Handyside, Fiona
ISBN: 9783034308342

portada Cinema at the Shore: The Beach in French Film (en Inglés)

Cinema at the Shore: The Beach in French Film (en Inglés)

Formato

Libro Físico

Autor

Fiona Handyside

Ilustrado por

Wendy Everett

Axel Goodbody

Editorial

Peter Lang Ltd, International Academic Publis

Idioma

Inglés

N° páginas

240

Encuadernación

Tapa Blanda

Dimensiones

22.4x15.2x1.5 cm

Peso

0.36 kg.

ISBN13

9783034308342

Categorías

Francia
Arte: aspectos económicos
Películas, cine
Literatura: historia y crítica

Cinema at the Shore: The Beach in French Film (en Inglés)

Fiona Handyside (Autor) · Wendy Everett (Ilustrado por) · Axel Goodbody (Ilustrado por) · Peter Lang Ltd, International Academic Publis · Tapa Blanda

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Reseña del libro "Cinema at the Shore: The Beach in French Film (en Inglés)"

From Brigitte Bardot in her bikini at the Cannes Film Festival, to François Ozon's intimate portrayals of grief and loss, some of the most iconic and challenging moments in French cinema are associated with the beach. Cinema at the Shore argues that the Parisian cityscape is not the only significant definition of space in French cinema and instead explores the industrial, aesthetic and thematic relations of French cinema to the beach. Examining a range of films from the 1950s to the present day - including popular comedies by Jacques Tati and Patrice Leconte, the lively and ruminative documentaries of Agnès Varda, the classicism of Eric Rohmer, and the provocations of Catherine Breillat - this book showcases the dynamism and importance of the beach as a site for the reconfiguration of French cinematic identity itself. The beach offers a unique crystallization of our attitudes towards nature, culture, the body, space and time. In its constant mobility, its close, yet distinctive, relationship with nature, and its paradoxical centrality in the French cultural imaginary as a site of relaxation and holidays, the beachscape, re-framed and re-imaged by the camera, offers new ways of conceiving of the spatial politics of French cinema.