Name: Child of Tomorrow and Other Stories (en Inglés)
SKU: 24501178
Price: 568.91 MXN
Availability: InStock
Author: Feldstein, Al ; Groth, Gary
ISBN: 9781606996591

portada Child of Tomorrow and Other Stories (en Inglés)

Child of Tomorrow and Other Stories (en Inglés)

Formato

Libro Físico

Autor

Al Feldstein

Ilustrado por

Gary Groth

Editorial

Fantagraphics Books

Año

2013

Idioma

Inglés

N° páginas

200

Encuadernación

Tapa Dura

Dimensiones

25.7x18.3x2.3 cm

Peso

0.79 kg.

ISBN

1606996592

ISBN13

9781606996591

N° edición

Categorías

Novela gráfica / cómics: memorias, historias reales y no ficción
Novela gráfica / cómic: ciencia-ficción

Child of Tomorrow and Other Stories (en Inglés)

Al Feldstein (Autor) · Gary Groth (Ilustrado por) · Fantagraphics Books · Tapa Dura

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Reseña del libro "Child of Tomorrow and Other Stories (en Inglés)"

Al Feldstein is best known as the main writer/editor of the EC comics line during the first half of the 1950s--and then the editor of Mad Magazine for the first three decades of its existence. But what many don't know or remember is that Feldstein was also an accomplished and distinctive cartoonist, whose comics (which he both wrote and drew, a relative rarity in those days) adorned the pages of many of those self same EC comics. His powerfully composed, meticulously inked pages, often featuring grotesque creatures or scenes of ghastly destruction (and some of the greatest stiffly handsome/beautiful specimens of 1950s humanity ever put to paper), were a vital part of the allure of these classic comics. Feldstein's contributions to the first year and a half of EC's two SF titles, Weird Science and Weird Fantasy--comprising 16 classic O. Henry-style shock-ending stories with such evocative, vintage title as "'Things' From Outer Space." "The Flying Saucer Invasion," "Spawn of Venus," "Destruction of the Earth," and "Am I Man or Machine?"--will be collected in their integrity in this volume, which will also boast a new interview with Feldstein about his years at EC, focusing in particular in his work on these science fiction titles that were the company's pride and joy (and were killed a few years later by the Comics Code).