Name: Between Centres and Peripheries: Music in Europe from the French Revolution to Wwi
SKU: 60311873
Price: 3096.60 MXN
Availability: InStock
Author: Cortizo, Maria Encina ; Nommick, Ivan
ISBN: 9782503608488

portada Between Centres and Peripheries: Music in Europe from the French Revolution to Wwi

Between Centres and Peripheries: Music in Europe from the French Revolution to Wwi

Formato

Libro Físico

Editorial

Brepols Publishers

Autor

Cortizo, Maria Encina ; Nommick, Ivan

Idioma

Español

N° páginas

434

Encuadernación

Tapa Dura

Peso

1.47 kg.

ISBN13

9782503608488

Categorías

Europa
Siglo xix, c. 1800-c. 1899
Historia general y del mundo
Historia de europa
Historia social y cultural

Between Centres and Peripheries: Music in Europe from the French Revolution to Wwi

Cortizo, Maria Encina ; Nommick, Ivan (Autor) · Brepols Publishers · Tapa Dura

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Reseña del libro "Between Centres and Peripheries: Music in Europe from the French Revolution to Wwi"

This volume revisits the artificial and enormously limiting historiographical concepts of centre and periphery in European musical life throughout the long 19th century and until the outbreak of the First World War. In this period, music played a prominent role, and cities such as Paris, Vienna, Milan or London, real laboratories of artistic creation, became social and cultural references for the rest of the continent, whose inhabitants strove to imitate their musical habits such as concert and theatrical life, soirees, parties or musical promenades. From diverse perspectives, this volume rethinks the singularity, influence and connections of different European musical centres, analysing the reproduction of cultural models and the conflicts that these models imposed on the peripheries, most of which have been ignored in the historiography of Western European music. In addition, it will also address the birth of musico-national languages situated on the European geographical margins, that develop interesting synergies between universality and nationality. The peripheral models of musical production and circulation in contexts far from the usual musical venues will also be addressed, as well as the derived cultural transfers.