Name: Baroque Naples and the Industry of Painting: The World in the Workbench (en Inglés)
SKU: 49295644
Price: 1644.85 MXN
Availability: InStock
Author: Christopher R. Marshall
ISBN: 9780300174502

portada Baroque Naples and the Industry of Painting: The World in the Workbench (en Inglés)

Baroque Naples and the Industry of Painting: The World in the Workbench (en Inglés)

Formato

Libro Físico

Editorial

Yale University Press

Autor

Christopher R. Marshall

Año

2016

Idioma

Inglés

N° páginas

352

Encuadernación

Tapa Dura

ISBN13

9780300174502

N° edición

Categorías

Artes: aspectos generales
Historia del arte

Baroque Naples and the Industry of Painting: The World in the Workbench (en Inglés)

Christopher R. Marshall (Autor) · Yale University Press · Tapa Dura

Libro Nuevo Importado

Envío: 22 a 27 días háb.

$ 2,741.42$ 1,644.85

-40%

Costos de importación incluídos en el precio ✅

Libro Nuevo

Quedan 17 unidades

$ 1,644.85

¡Envío Gratis! Llega entre el 06 Oct y el 14 Oct a CUAUHTÉMOC, Ciudad de México. Seleccionar ubicación

Agregar a lista de deseos

Reseña del libro "Baroque Naples and the Industry of Painting: The World in the Workbench (en Inglés)"

The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement. This new reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy.