Name: African Theatre 8: Diasporas (en Inglés)
SKU: 2730909
Price: 937.09 MXN
Availability: InStock
Author: Banham, Martin ; Gibbs, James ; Osofisan, Femi
ISBN: 9781847015013

portada African Theatre 8: Diasporas (en Inglés)

African Theatre 8: Diasporas (en Inglés)

Formato

Libro Físico

Editorial

James Currey

Autor

Banham, Martin ; Gibbs, James ; Osofisan, Femi

Idioma

Inglés

N° páginas

190

Encuadernación

Tapa Blanda

Dimensiones

21.6x13.7x1.3 cm

Peso

0.36 kg.

ISBN

1847015018

ISBN13

9781847015013

Categorías

Estudios sobre teatro
Historia de las artes escénicas

African Theatre 8: Diasporas (en Inglés)

Banham, Martin ; Gibbs, James ; Osofisan, Femi (Autor) · James Currey · Tapa Blanda

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Reseña del libro "African Theatre 8: Diasporas (en Inglés)"

This volume in the African Theatre series celebrates the African theatrical diaspora from Brazil to Tasmania, and Canada to Cuba, and also includes the playscript Messing with the Mind by Egyptian writer and director Khaled El-Sawy. Diasporas', as used in the title of this volume, refers to a multitude of groups and communities with widely differing histories, identities and current locations. This book brings together essays on theatre by people of Africandescent in North America, Cuba, Italy, the UK, Israel and Tasmania. Several chapters present overviews of particular national contexts, others offer insights into play texts or specific performances. Offering a mix of academic andpractitioner's points of views, Volume 8 in the African Theatre series analyses and celebrates various aspects of African diasporic theatre worldwide. Guest Editors: CHRISTINE MATZKE, Lecturer in African Literatures and Cultures, Humboldt-University, Berlin; and OSITA OKAGBUE, Senior Lecturer in the Department of Drama, Goldsmiths, University of London. Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds;Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick