Name: East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe (en Inglés)
Price: 1483.04 MXN
Availability: InStock
Author: Tillerot Isabelle
ISBN: 9781606067970

Envío gratis

portada East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe (en Inglés)

Formato

Libro Físico

Editorial

J P Getty Trust Pubn

Autor

Tillerot Isabelle

Idioma

Inglés

N° páginas

272

Encuadernación

Tapa Blanda

ISBN13

9781606067970

East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe (en Inglés)

Tillerot Isabelle (Autor) · J P Getty Trust Pubn · Tapa Blanda

Libro Nuevo

$ 1,483.04

$ 2,471.73

Ahorras: $ 988.69

40% descuento

Envío normal

Origen: Reino Unido (Costos de importación incluídos en el precio)

Se enviará desde nuestra bodega entre el Jueves 23 de Mayo y el Viernes 31 de Mayo.

Lo recibirás en cualquier lugar de México entre 1 y 3 días hábiles luego del envío.

Reseña del libro "East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe (en Inglés)"

An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall--and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.