Name: Architecture Through Drawing (en Inglés)
Price: 1084.44 MXN
Availability: InStock
Author: Hobhouse, Niall ; Luscombe, Desley ; Thomas, Helen
ISBN: 9781848223776

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portada Architecture Through Drawing (en Inglés)

Formato

Libro Físico

Autor

Helen Thomas

Desley Luscombe

Niall Hobhouse

Editorial

Lund Humphries Publishers Ltd

Año

2020

Idioma

Inglés

N° páginas

240

Encuadernación

Tapa Dura

Dimensiones

31.0 x 24.9 x 2.8 cm

Peso

1.70 kg.

ISBN13

9781848223776

Categorías

Arquitectura profesional
Obras de consulta
Estructura y diseño arquitectónicos

Architecture Through Drawing (en Inglés)

Helen Thomas (Autor) · Desley Luscombe (Autor) · Niall Hobhouse (Autor) · Lund Humphries Publishers Ltd · Tapa Dura

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Reseña del libro "Architecture Through Drawing (en Inglés)"

Architecture through Drawing examines how drawing - as both action and object - encapsulates complex ideas relating to culture, technology, space and the built environment. Bringing together an array of beautiful and rarely seen drawings dating from the sixteenth century to the present day, all representing different geographical locations, techniques, methodologies and purposes, the book defines a new field for the subject of the drawing in architecture. It reveals the motives for architectural drawing beyond the requirement to document the processes that underpin the realisation of the architectural object. This book asks, fundamentally, whether drawings can illuminate new interpretations of architectural experimentation. Examples range from initial sketches by architects to analytical and construction drawings, perspectives and schematics, collage and more complex presentations and paintings often carried out in association with others. Dialogues include Fabrizio Ballabio on Filippo Juvarra's Ottoboni Theatre; Desley Luscombe on Ludwig Mies van der Rohe; Mark Dorrian on Michael Webb; Nicholas Olsberg on Victorian architects William Butterfield, Norman Shaw and GE Street; Charles Rice on James Gowan; Laurent Stalder on perspective in postwar housing; Helen Thomas on the covers of San Rocco; John Macarthur on clouds; Markus Lähteenmaäki on Superstudio; and Erik Wegerhoff on the Viennese Auto-Expander. The volume is rounded off with an epilogue, 'The Limits of Drawing', by Adrian Forty and Sophie Read.