The period relating more immediately to the Crusades which I at last fixed upon was that at which the warlike character of Richard I., wild and generous, a pattern of chivalry, with all its extravagant virtues, and its no less absurd errors, was opposed to that of Saladin, in which the Christian and English monarch showed all the cruelty and violence of an Eastern sultan, and Saladin, on the other hand, displayed the deep policy and prudence of a European sovereign, whilst each contended which should excel the other in the knightly qualities of bravery and generosity. This singular contrast afforded, as the author conceived, materials for a work of fiction possessing peculiar interest. One of the inferior characters introduced was a supposed relation of Richard Coeur de Lion-a violation of the truth of history which gave offence to Mr. Mills, the author of the "History of Chivalry and the Crusades," who was not, it may be presumed, aware that romantic fiction naturally includes the power of such invention, which is indeed one of the requisites of the art.