psalmodia evangelica. a [sic] collection of psalm & hymn-tunes, in three parts, for public worship; ... to which are prefixed, a complete introduction (en Inglés)

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT154955Engraved titlepages, with additional letterpress titlepages dated 1789: 'Psalmodia evangelica. A complete set of psalm and hymn tunes for public worship; ..', mixed letterpress and engraved preliminaries, engraved music pages and letterpress indices. A r[London]: Printed for S. A. & P. Thompson. London, [1792?]. 2v., plates: ill., engr.music; obl.4

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