a political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. in a series of one hundred and twelve humourous and ent (en Inglés)

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT013270Published by Edwards and Darly. Contains reduced copies of large plates, as well as small original designs. First published in [1758?] as 'A political and satirical history of the years 1756 and 1757' with 75 plates. A reissue of the preliminaries of tLondon: printed for E. Morris, [1762]. 22p.,112plates; 16

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